A few of my favorite photos posted in 2011 are below. You can view the rest at http://photo.oscarc.net/keyword/BestOf2011.
You can view the rest at http://photo.oscarc.net/keyword/BestOf2011.
A big thank you to Mic Costumes for interviewing me for their blog! It’s now up on their site at
http://www.miccostumes.com/blog/photographer-interview-with-oscar-cwajbaum/
The birth of child #2 and a new job has been taking up most of my time for the past 6 months, but things are beginning to settle down. I exoect to start posting regularly again soon!
This year’s NorCal Spring Cosplay gathering, organized by Bekalou and me, was a lot of fun. We decided to hold this year’s gathering at Kelley Park in San Jose. Previous Spring gatherings were held at Hakone Gardens, but Hakone’s restrictions and fees were a concern. Even more importantly, Hakone was starting to feel cramped given the number of people who were attending. Also, the previous two Summer gatherings at Kelley Park convinced us that Kelley Park is better when it’s cooler, and that we should find a new, less hot location for this year’s Summer gathering.
My first photography decision for this gathering was to rent the Canon 200mm f/2 lens. This is one of Canon’s best lenses; it’s very sharp and has great bokeh. Its only downsides are its weight and its price. (It’s also conspicuous as heck, which doesn’t matter for gatherings.) For lighting, I brought along two AlienBee lights with softboxes. To trigger & control them, I used my PocketWizards with the AC9 AlienBee adapter and the AC3 controller.
It was windy in the morning, so I shot with natural light for the first few hours. The 200/f2 lens was a dream, and let me get some really great shots:
After a while, the wind started to die down, and I found some volunteers to hold to light stands in case an unexpected wind gust came along. I set up my lights, and with my volunteers’ help, I started using the lights for my shots:
The PocketWizard AC3 controller made shooting with the AlienBees a breeze. It gave me three dedicated dials for controlling the power of my lights. No more digging into the menus or walking up to the lights to make adjustments! This was especially convenient with the 200/f2, which, because of its long focal length, required me to stand fairly far away to get full body shots. I can not imagine shooting the ABs without the AC3 any more.
Thank you to everyone who came and made this gathering a success, with a special thanks to everyone who posed for photos or helped me with my lighting gear! Also, an extra-giant thanks to Bekalou for organizing this with me! I look forward to seeing everyone at the NorCal Summer Gathering at our new location!
More of my photos from this gathering are on my photo site at http://l.oscarc.net/jBKCLz.
Other photos from the gathering:
My 2011 Cosplay Calendar is now available. It has 13 of my favorite cosplay photos that I’ve posted in the last year. The calendar itself is 11″ x 17″, press-printed on 110# semi-gloss paper, and spiral bound at the top.
I will be selling copies of this calendar for a limited time, for $24 each. Shipping is $3.50 a calendar. If you live in the San Jose area or are coming to Anime Los Angeles, you can save on shipping by requesting hand-delivery of the calendar. To purchase one, or if you have any questions, email me at photos@oscarc.net.
Below are a few sample pages from the calendar. You can preview all the pages in the calendar at http://photo.oscarc.net/Calendars/cosplay-calendar-2011/14909383_e7kCg
See more at http://photo.oscarc.net/Calendars/cosplay-calendar-2011/14909383_e7kCg
Casual photographers take cosplay photos by stopping people in hallways; more serious photographers schedule shoots during conventions. But to be a really hard-core photographer, you need to set up private shoots at scenic locations far away from any convention center. That’s what I did recently, by inviting eight cosplayers to join my wife, my daughter, and I for a long weekend at Angel’s Camp, CA.
Angel’s Camp is a beautiful small town about three hours east of San Jose, at the foot of the Sierra-Nevada mountains, and about one hour north of Yosemite. It has lots of open fields and small hills, and is near Calaveras Big Trees State Park, with its forest, river, and mountains. This combination of locales made it the perfect place for several cosplay photo shoots.
Day 0
Before the trip, there was much discussion about logistics and timing for the departure from San Jose, but in the end, things went fairly smoothly. We left from my house more or less on time in a rented minivan and my Camry. We hit some traffic on the way, but not as much as I had feared, and after a pit stop at A&W’s, we arrived at Angel’s Camp. After checking in and unloading the cars, a team was dispatched to the grocery store to get food for our stay. After that, we wanted to eat dinner. Because everything closes so early in small towns, we ended up getting fast food. A quick Avatar DVD marathon, and we went to sleep.
Day 1
After a delicious breakfast, we headed out for the Avatar: The Last Airbender shoot at Calaveras Big Trees State Park. This shoot had Azula (bekalou), Toph (blueskadoo), Katara (athena), Sokka (Keikishei), and Pien Dao (Michael). We started out shooting by a river:
After shooting there for a while, we moved to a forest location, where I finally got a chance to try out my new AlienBees lighting equipment:
After that, we moved to another river location:
One quick stop at a scenic overlook:
and we headed back to Angel’s Camp, exhausted.
You can see the rest of my photos from this very fun shoot at http://photo.oscarc.net/Conventions-Cosplay/Photoshoots-2010/Avatar–The-Last-Airbender/13437821_YmKKp. You can also see Kazuha’s photos from this shoot at http://heulangel.smugmug.com/Conventions-Cosplay/Projects/Avatar-The-Last-Airbender/13331538_AS3S2.
After a very filling dinner and a relaxing soak in the hot tub, it was back to photography.
First, I did a shoot of Keikishei as Son Goku:
You can see the rest of the photos from this shoot at http://photo.oscarc.net/Conventions-Cosplay/Photoshoots-2010/Son-Goku-Keikishei-Saiyuki/13387509_8NVCR.
After that, I did a shoot of Bekalou as Syaoran in the Dragon Illustration costume:
You can see the rest of the photos from this shoot at http://photo.oscarc.net/Conventions-Cosplay/Photoshoots-2010/Syaoran-Tsubasa-bekalou-Dragon/13400937_s723R.
One quick Avatar DVD marathon, and we all went to bed for the night.
To Be Continued in part 2…
General
This was my first year at WonderCon — I’d never been able to make it to WonderCon before. I’m glad I came! There were many great costumes, and I took a lot of photos.
I only had a few photoshoots set up ahead of time, so I tried something new for my hallway photography. I did a little of my usual hallway photography, wandering around and taking photos, but that didn’t work very well because of the crowds and because the venue is not conducive to mobile photography. Instead, for most of the convention I set up a mini-studio in an out-of-the-way (but not too out-of-the-way) location, and did minishoots with cosplayers who walked by. Several other photographers, including Mike from ConPix, set up shop nearby, and together we had an informal photography area going. This ended up working out pretty well. The only disadvantage is that a lot of the shoots look similar, since they were shot in the same location with similar lighting.
The convention itself was very different from other conventions I’ve attended. Unlike most anime conventions, congoers for the most part seemed passive; they were here to be entertained and to shop. Unlike Dragon*Con and other fan-oriented SF/F conventions, WonderCon felt very industry oriented. The weirdest thing for me was that the hallways started getting quiet around 5pm. That’s not to say it wasn’t fun; just that if you attend expecting Dragon*Con West or Anime Expo North, you’re going to be disappointed.
I considered staying at a hotel, but ended up driving up from San Jose all three days. Parking was expensive, but not that hard to find, so it wasn’t too bad.
I’m really happy I attended this year. I spent time with many old friends and made several new ones, and I got a chance to shoot costumes very different from what I typically see at the other conventions I attend. I look forward to coming back next year!
Photos
I’m still working on processing the photos from WonderCon, but some of the shoots are finished and have been posted. Here are some of my favorite shots: (click on a photo for a larger view and for more photos from that shoot.)
More of my photos from WonderCon 2010 are at http://photo.oscarc.net/Conventions-Cosplay/WonderCon-2010.
Summary
High points:
Low points:
If you are interested in a free private photoshoot at WonderCon or Fanime, please email me (public@oscarc.net). After your shoot, you will be able to download free web-sized, watermarked photos from my web site. Full-sized, unwatermarked photo downloads and prints are also available from my site.
You can see photos from shoots at previous conventions at http://photo.oscarc.net/Conventions-Cosplay/Photoshoots-2010.
For various reasons, I will not be attending Anime Expo this year. I am considering attending Pacific Media Expo, and will almost certainly be at ALA 2011, so I will be able to do shoots of SoCal cosplayers at those conventions. My next convention after Fanime will be DragonCon in Atlanta,.GA.
There are five more ALA photoshoots and one AOD photoshoot that have not yet been posted. I’m processing them as fast as possible and hope to have them up very soon. Thank you for your patience.
One of the most frequent photography-related questions I get is, “Which camera should I buy?” Given the sheer volume of digital camera models being introduced every year, and the mega-hype associated with every trivial feature, it’s not surprising people have a hard time choosing a camera model. When I get asked this question, I usually run down a quick checklist of questions (budget? SLR or P&S? etc.) with the person, and then make one or two recommendations based on my experience.
Apparently, the bloggers at Make The Photo get asked the same question a lot too, because they’ve put together a flowchart with the same type of questions I normally ask, along with their own recommendations for each category of photographer. Their flowchart is available at http://www.makethephoto.com/how-to-choose-a-digital-camera/.
I love this flow chart for several reasons:
In other words, if you use this flow chart, you’ll get the same recommendations as if you’d asked me directly, assuming I was able to keep up with every new camera announcement. From now on, when someone asks me for a camera recommendation, I’ll first point them to the flow chart, and, if they have any questions, I can answer them. Yay for the Internet!
I attended Anime Los Angeles (ALA) for the first time this year, and had an extremely fun time. It was by far the best small/medium convention I’ve attended in a long time, and I look forward to attending again next year.
Travel
Because the convention hotel is less than a mile from LAX, early on I made the decision to fly down instead of driving. I’ve always hated the long, boring drive down I-5, followed by fighting through LA traffic while navigating a maze of freeways, so flying seemed like a much better option. As the date got closer, though, I began to worry. The attempted Christmas-day attack and the sheer amount of camera/lighting gear I wanted to bring down started to worry me. Could I make it all fit? Would I spent hours trying to get through security?
When it came time to pack, I dragged out our biggest suitcase, and found that the lighting gear exactly fit in there, while leaving just enough extra space for clothes for me for four days. I also managed to (barely) fit all the camera gear I wanted into my rolling camera bag, including my brand-new Canon 70-200 f/4L IS USM lens that I had received a few days prior as a birthday present. After the issues flying to Dragon*Con, I remembered to pack items that security may flag (wrench, flash bracket, etc) into my checked suitcase.
Flying turned out to be pretty painless. All my bags went through x-ray once, I did not get pulled aside for a secondary screening, and nothing got stolen. My flight out to LAX was delayed, but so was the previous flight, so Southwest rebooked me without even being asked, and I ended up arriving earlier than my original flight. On the flight back, things went so smoothly I ended up waiting at the gate for two hours for my flight. This was my first time flying Southwest, and I was very happy with the experience.
Hotel
I took the free shuttle from LAX to the hotel. When I arrived at the hotel, check-in was painless, and then I took a look around. All the indoor areas had low, white-color ceilings, perfect for ceiling bounce flash. Ceiling bounce is my favorite way to soften my on-camera flash, and works great for hallway cosplay photography, but it’s frequently not an option. Fanime, for example, has 20+ foot high ceilings, making ceiling bounce impractical.
In addition to the lobby & convention areas, the hotel had a pool deck with lots of trees, a bridge, and a stream, and a separate patio area. This was great for shoots in the evenings after the photo room had closed.
Overall, the hotel was not too bad. It was a Marriott, which in my book ranks below Hyatt and Hilton, but I’ve seen so much worse. The staff were generally friendly and helpful (even though Hotel Security looked very nervous when surrounded by cosplayers). I did get pulled aside once the first night and asked by Security whether the convention had permission to be taking photos (I, of course, said yes), but that was very minor. The food in the hotel restaurants ranged from pretty good to excellent, but the service was awful. From getting orders wrong, to slow refills, to generally poor service, it was what I would expect at Denny’s, not at a business-class hotel. It was overpriced, too, but that’s expected for hotel restaurants.
Convention
I was extremely impressed with how well the convention was organized and run. I skipped the masquerade due to the long line & general exhaustion, so I can’t speak to that, but everything I did attend or participate in went well. There were some glitches, of course, but they were dealt with efficiently and with a minimum of fuss. Even registration, which is normally the bane of any convention, was very painless, and was immediately followed by ice cream for everyone who arrived Thursday evening, making for a great first impression.
It seems that other people were fairly happy too. At the end-of-convention “gripes”/how-can-we-do-better panel, a lot of valid suggestions were raised; however, they were, for the most part, relatively minor. I do not recall any complaints about major issues or disasters, and, somewhat unusually for this type of panel, there were a number of compliments.
Due to my photography schedule, I only attended one panel, on how not to run an Anime Convention. I was struck by how much running an Anime Convention is like running a small business/start-up. From the financial discipline, to the people management, to project management, the skills required are very similar. I think I ended up learning a bit on how to better run my business at that panel. The end of the panel also featured a hilarious story about cups, which I really regret not recording. Hopefully someone else who was recording will post the video soon.
Photography
Of course, what would a convention be without photography? I had several photography goals for ALA.
First, I wanted to exercise my new 70-200 lens as much as possible, to see if it works well for both hallway photography and shoots. I brought my 24-105, just in case it didn’t work out, but I never used it. In fact, since I didn’t go to the masquerade (and thus didn’t need my 100-300), the 70-200 was the only lens I used the entire convention. That did make some hallway large-group shot a bit awkward, but other than that I was incredibly happy with it. Wide-angle hallway shots generally do not look that great, and using this lens prevented me from making that mistake, forcibly improving my hallway photography.
Second, I wanted to test out my second PocketWizard receiver by doing two-flash shoots. With some help from Bekalou, Hellangel, and Blueskad00, I was able to accomplish this. I put the first flash in my softbox and put it on a light stand. I put the BigBounce on the second flash, and had one of my lighting assistants hold it in position. This worked out well because Bekalou was cosplaying different series from everyone else, so there was always someone not in the shot who could hold the second flash. The dual flash photos turned out beautifully; so much so it’s hard for me to look at the photos from my single-flash photoshoots. I look forward to more two-flash shoots in the future!
Finally, I wanted to get better at posing cosplayers. I think I did better than in the past — I provided more posing feedback and suggestions than at previous convention shoots — but I think I still have a lot of room to improve in this area.
ALA was also the first time I requested model releases from cosplayers in photoshoots. (I didn’t ask for model releases for hallway photos.) I chose a short, half-page model release, designed to be easy to read and not scary. I was pleasantly surprised that only one person expressed any serious concerns about it, and everyone signed it.
Wrap Up
I had a great time at the convention, in no small part due to the very fun people I sent time with. Many thanks to all the cosplayers who let me take their photos, and an especially big round of thanks to everyone who booked shoots with me ahead of time. Extra super giant thanks to Bekalou, Hellangel, Athena, and Blueskadoo, for holding flashes, helping me move my lighting gear, and generally helping out! I’m already looking forward to next year!
I get asked every so often what my photo processing workflow is like, so I decided to post it here:
(And before anyone says, “You should try Lightroom!”, I’ve tried Lightroom, and prefer DPP’s RAW processing.)
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Copyright 2010 Oscar Cwajbaum